In the fast-paced world of filmmaking, technology moves quickly, and so does the buzz around the latest gear. Canon’s R5C has been a beloved choice for filmmakers, offering a blend of versatility and top-notch video quality. However, with the introduction of the Canon R5 Mark II, the question on everyone’s mind is: Does the R5C still hold its ground, or has the R5 Mark II stolen the spotlight?
The R5 Mark II comes packed with new features and upgrades that make it a tempting choice for those seeking cutting-edge performance. But does it truly eclipse the R5C, especially for those who prioritize video capabilities? In this blog post, we’ll dive deep into the specs, video features, and real-world performance of both cameras. We’ll also explore which camera might be the better fit depending on your filmmaking style and needs.
Whether you’re a seasoned professional or just starting your journey in video production, understanding the strengths and limitations of these cameras is key. By the end of this article, you’ll know whether the Canon R5C is still a strong contender in 2024 or if the R5 Mark II is the upgrade you’ve been waiting for. Let’s break down the tech and see which camera comes out on top.
Advantages of the R5C and R5 Mark II
| Canon R5C | Canon R5 II |
| Variable frame rates: | Stacked sensor: Faster readout speed reduces the rolling shutter effect |
| 8K Oversampled 4K 60p | Better AF: |
| More video centric OS | CLog 2: With the addition of the CLog2 color profile the R5 II is capable of 16+ stops of dynamic range |
Sensor and Image Quality: The Core of Cinematic Excellence
At the heart of any camera is its sensor, and both the R5C and R5 Mark II boast impressive specs. The R5C, known for its versatility, features a full-frame CMOS sensor with 45 megapixels that delivers stunning video up to 8K. Its a similar sensor if not the same found in the original R5, but now features a dual native ISO of 800 and 3200, which wasn’t officially supported in the R5. This allows for shooting cleaner video in low-light situations and has been one of my favorite features of the R5C.
On the other hand, the R5 Mark II steps up the game with a newly designed 45 megapixels back-illuminated stacked CMOS sensor. This innovation promises better low-light performance and reduced rolling shutter effects, a critical improvement for capturing high-speed motion. The sensor also features a dual native ISO of 800 and 4000, which is a slight improvement over the R5C. For filmmakers who often shoot fast action in dark and challenging lighting conditions, this could be a worthwhile improvement.
Video Capabilities: Resolution and Frame Rates
When it comes to video capabilities, both cameras are well-equipped, but have some slight differences. The R5C can shoot 8K RAW up to 60 fps, but it requires external power via its USB-C port to unlock the 60fps. This definitely is something to keep in mind, but so far it didn’t bother me too much. For studio or talking head situations I just connect the camera to a wall outlet and don’t have to worry about the battery dying. For run and gun situations I use a power bank in my pocket or a v-mount battery attached to the back with a USB-C PD output. Without external power the R5C can record 8K up to 30fps in RAW or MP4 and 4K up to 120fps in MP4.
The R5 Mark II also offers 8K video but brings additional enhancements. Now 8K 60p RAW doesn’t require an external power source, but only the new LP-E6P battery, which can withstand a higher power draw. For slow-motion the camera offers 4K up to 120p and 2K up to 240p. But while R5 Mark II can only record 4K oversampled from the full 8K image up to 30p, the R5C can do 4K 60p without any additional power or accessories. This is a huge advantage in my option and the image quality is easily noticeable. Maybe Canon will bring this later to the Mark II with a software update. Here is a detailed overview of the resolutions and frame rates:
| Resolution | Canon R5C | Canon R5 Mark II |
| 8K DCI (8.192 x 4.320) | 23.98 / 24 / 25 / 29.97 / 50 / 59.94 Slow & Fast Frame Rates (59.94 Hz): 1 / 2 / 3 / 6 / 15 / 22 / 24 / 26 / 28 / 30 / 32 / 36 / 40 / 44 / 48 / 52 / 56 / 60 Slow & Fast Frame Rates (50.00 Hz): 1 / 5 / 15 / 25 / 34 / 38 / 42 / 46 / 50 / 54 / 58 / 60 Slow & Fast Frame Rates (24.00 Hz): 1 / 2 / 3 / 6 / 12 / 16 / 18 / 20 / 22 / 24 / 26 / 28 / 30 / 32 / 36 / 40 / 44 / 48 / 52 / 56 / 60 | 23.98 / 24 / 25 / 29.97 / 50 / 59.94 |
| 8K UHD (7.680 x 4.320) | 23.98 / 24 / 25 / 29.97 Slow & Fast Frame Rates (59.94 Hz): 1 / 2 / 3 / 6 / 15 / 22 / 24 Slow & Fast Frame Rates (50.00 Hz): 1 / 5 / 15 / 25 Slow & Fast Frame Rates (24.00 Hz): 1 / 2 / 3 / 6 / 12 / 16 / 18 / 20 / 22 / 24 / 26 / 28 / 30 | 23.98 / 24 / 25 / 29.97 |
| 6K (5.952 x 3.140) | 23.98 / 24 / 25 / 29.97 / 50 / 59.94 Slow & Fast Frame Rates (59.94 Hz): 1 / 2 / 3 / 6 / 15 / 22 / 24 / 26 / 28 / 30 / 32 / 36 / 40 / 44 / 48 / 52 / 56 / 60 Slow & Fast Frame Rates (50.00 Hz): 1 / 5 / 15 / 25 / 34 / 38 / 42 / 46 / 50 / 54 / 58 / 60 Slow & Fast Frame Rates (24.00 Hz): 1 / 2 / 3 / 6 / 12 / 16 / 18 / 20 / 22 / 24 / 26 / 28 / 30 / 32 / 36 / 40 / 44 / 48 / 52 / 56 / 60 | – |
| 4K DCI (4.096 x 2.160) | 23.98 / 24 / 25 / 29.97 / 50 / 59.94 Slow & Fast Frame Rates (59.94 Hz): 1 / 2 / 3 / 6 / 15 / 22 / 24 / 26 / 28 / 30 / 32 / 36 / 40 / 44 / 48 / 52 / 56 / 60 / 90 / 120 Slow & Fast Frame Rates (50.00 Hz): 1 / 5 / 15 / 25 / 34 / 38 / 42 / 46 / 50 / 54 / 58 / 60 / 75 / 100 / 120 Slow & Fast Frame Rates (24.00 Hz): 1 / 2 / 3 / 6 / 12 / 16 / 18 / 20 / 22 / 24 / 26 / 28 / 30 / 32 / 36 / 40 / 44 / 48 / 52 / 56 / 60 / 72 / 96 / 120 | 23.98 / 24 / 25 / 29.97 / 50 / 59.94 / 100 / 119.9 |
| 4K UHD (3.840 x 2.160) | 23.98 / 24 / 25 / 29.97 / 50 / 59.94 Slow & Fast Frame Rates (59.94 Hz): 1 / 2 / 3 / 6 / 15 / 22 / 24 / 26 / 28 / 30 / 32 / 36 / 40 / 44 / 48 / 52 / 56 / 60 / 90 / 120 Slow & Fast Frame Rates (50.00 Hz): 1 / 5 / 15 / 25 / 34 / 38 / 42 / 46 / 50 / 54 / 58 / 60 / 75 / 100 / 120 Slow & Fast Frame Rates (24.00 Hz): 1 / 2 / 3 / 6 / 12 / 16 / 18 / 20 / 22 / 24 / 26 / 28 / 30 / 32 / 36 / 40 / 44 / 48 / 52 / 56 / 60 / 72 / 96 / 120 | 23.98 / 24 / 25 / 29.97 / 50 / 59.94 / 100 / 119.9 |
| 3K (2.976 x 1.570) | 23.98 / 24 / 25 / 29.97 / 50 / 59.94 Slow & Fast Frame Rates (59.94 Hz): 1 / 2 / 3 / 6 / 15 / 22 / 24 / 26 / 28 / 30 / 32 / 36 / 40 / 44 / 48 / 52 / 56 / 60 / 90 / 120 Slow & Fast Frame Rates (50.00 Hz): 1 / 5 / 15 / 25 / 34 / 38 / 42 / 46 / 50 / 54 / 58 / 60 / 75 / 100 / 120 Slow & Fast Frame Rates (24.00 Hz): 1 / 2 / 3 / 6 / 12 / 16 / 18 / 20 / 22 / 24 / 26 / 28 / 30 / 32 / 36 / 40 / 44 / 48 / 52 / 56 / 60 / 72 / 96 / 120 | – |
| 2K DCI (2.048 x 1.080) | 23.98 / 24 / 25 / 29.97 / 50 / 59.94 Slow & Fast Frame Rates (59.94 Hz): 1 / 2 / 3 / 6 / 15 / 22 / 24 / 26 / 28 / 30 / 32 / 36 / 40 / 44 / 48 / 52 / 56 / 60 / 90 / 120 Slow & Fast Frame Rates (50.00 Hz): 1 / 5 / 15 / 25 / 34 / 38 / 42 / 46 / 50 / 54 / 58 / 60 / 75 / 100 / 120 Slow & Fast Frame Rates (24.00 Hz): 1 / 2 / 3 / 6 / 12 / 16 / 18 / 20 / 22 / 24 / 26 / 28 / 30 / 32 / 36 / 40 / 44 / 48 / 52 / 56 / 60 / 72 / 96 / 120 | 23.98 / 24 / 25 / 29.97 / 50 / 59.94 / 100 / 119.9 / 200 / 239.76 |
| 2K (1.920 x 1.080) | 23.98 / 24 / 25 / 29.97 / 50 / 59.94 Slow & Fast Frame Rates (59.94 Hz): 1 / 2 / 3 / 6 / 15 / 22 / 24 / 26 / 28 / 30 / 32 / 36 / 40 / 44 / 48 / 52 / 56 / 60 / 90 / 120 Slow & Fast Frame Rates (50.00 Hz): 1 / 5 / 15 / 25 / 34 / 38 / 42 / 46 / 50 / 54 / 58 / 60 / 75 / 100 / 120 Slow & Fast Frame Rates (24.00 Hz): 1 / 2 / 3 / 6 / 12 / 16 / 18 / 20 / 22 / 24 / 26 / 28 / 30 / 32 / 36 / 40 / 44 / 48 / 52 / 56 / 60 / 72 / 96 / 120 | 23.98 / 24 / 25 / 29.97 / 50 / 59.94 / 100 / 119.9 / 200 / 239.76 |
The only difference is the higher frame rate at 2K which went up from 120p to 240p, but other than that the frame rates stayed the same. However, the R5C can be dialed in to specific frame rates in the Slow and Fast mode which will be recorded in a 23.98 / 24 / 25 / 29.97 / 50 or 59.94 container.
Dynamic range and recording formats is another critical factor for video production, and here, the R5 Mark II shines with up to 16 stops of dynamic range when using Canon Log 2. This gives it an edge in capturing details in both the shadows and highlights. The R5C, while impressive, offers slightly less in this department, with a maximum of 14 stops and only Canon Log 3. Here is a detailed overview of the recording frame rates:
| Resolution | Canon R5C | Canon R5 Mark II |
| 8K DCI (8.192 x 4.320) | RAW LT 12 bit RAW ST 12 bit MP4 YCC422 10 bit MP4 YCC420 10 bit | RAW Light 12 bit RAW Standard 12 bit XF-HEVC S YCC422 10 bit XF-HEVC S YCC420 10 bit |
| 8K UHD (7.680 x 4.320) | MP4 YCC422 10 bit MP4 YCC420 10 bit | XF-HEVC S YCC422 10 bit XF-HEVC S YCC420 10 bit |
| 6K (5.952 x 3.140) | RAW HQ 12 bit RAW LT 12 bit RAW ST 12 bit | – |
| 4K DCI (4.096 x 2.160) | XF-AVC YCC422 10 bit MP4 YCC422 10 bit MP4 YCC420 10 bit MP4 YCC420 8 bit | XF-HEVC S YCC422 10 bit XF-HEVC YCC420 10 bit XF-HEVC YCC420 8 bit XF-AVC S YCC420 10 bit XF-AVC S YCC420 8 bit |
| 4K UHD (3.840 x 2.160) | XF-AVC YCC422 10 bit MP4 YCC422 10 bit MP4 YCC420 10 bit MP4 YCC420 8 bit | XF-HEVC S YCC422 10 bit XF-HEVC YCC420 10 bit XF-HEVC YCC420 8 bit XF-AVC S YCC420 10 bit XF-AVC S YCC420 8 bit |
| 3K (2.976 x 1.570) | RAW HQ 12 bit RAW LT 12 bit RAW ST 12 bit | – |
| 2K DCI (2.048 x 1.080) | XF-AVC YCC422 10 bit MP4 YCC422 10 bit MP4 YCC420 10 bit MP4 YCC420 8 bit | XF-HEVC S YCC422 10 bit XF-HEVC YCC420 10 bit XF-HEVC YCC420 8 bit XF-AVC S YCC420 10 bit XF-AVC S YCC420 8 bit |
| 2K (1.920 x 1.080) | XF-AVC YCC422 10 bit MP4 YCC422 10 bit MP4 YCC420 10 bit MP4 YCC420 8 bit | XF-HEVC S YCC422 10 bit XF-HEVC YCC420 10 bit XF-HEVC YCC420 8 bit XF-AVC S YCC420 10 bit XF-AVC S YCC420 8 bit |
Autofocus and Image Stabilization: Precision and Stability
Both cameras are equipped with Canon’s renowned Dual Pixel autofocus system, but the R5 Mark II introduces the second version with enhancements that make it even more reliable, particularly in challenging shooting scenarios. It includes advanced subject tracking and intelligent AF modes tailored for action and sports, making it a strong contender for event videographers and documentary filmmakers. The R5C relies on the Cinema EOS AF system which is good, but doesn’t offer as many features as the AF system found in Canon’s photo-centric cameras.
Image stabilization is another area where these cameras excel. The R5C has a fixed sensor with only electronic stabilisation and relies on the IS build into some lenses. The R5 Mark II boasts an improved IBIS system, providing an additional half-stop of stabilization over the original R5. This can make a noticeable difference in handheld shooting scenarios, reducing the need for additional stabilization equipment. In addition the wobble effect with wide angle lenses got reduced.
In this battle of specs and features, both the Canon R5C and R5 Mark II have their advantages. The choice between them may come down to specific needs—whether it’s the R5 Mark II’s superior dynamic range and autofocus or the R5C’s raw video capabilities and built-in cooling system. As we delve deeper, we’ll explore more specialized features and consider which camera might be the better investment for different types of filmmaking projects. Stay tuned as we continue to unpack the strengths and potential drawbacks of each camera in our detailed comparison.
Specialized Features: Tailoring the Tools for the Job
Choosing the right camera often boils down to more than just the core specs; specialized features can make a significant difference in usability and performance in real-world scenarios. Let’s delve into some of the standout features of the Canon R5C and R5 Mark II that might sway your decision.
Overheating and Cooling Solutions
One of the most talked-about issues with high-performance cameras is overheating, especially when recording in high resolutions like 8K. The Canon R5C addresses this concern with an integrated cooling fan, making it a reliable option for extended shooting sessions. This feature is particularly beneficial for documentary filmmakers or event videographers who can’t afford to lose time due to overheating.
In contrast, the Canon R5 Mark II, despite its advancements, still struggles with overheating during prolonged 8K recording. Canon offers a solution in the form of an optional cooling fan grip, but this adds to the overall cost and complexity of the setup. It’s a crucial consideration for those who plan to push the camera’s video capabilities to the limit.
Recording Limits and Media Options
Recording limits are another critical factor, especially for professionals who need to capture lengthy events or continuous footage. The R5C stands out with its ability to record only limited by the storage space, thanks to its active cooling system. This makes it a versatile tool for long-form projects like interviews, conferences, or performances.
The R5 Mark II, while impressive in many areas, is still constrained by overheating, which can impose limits on recording times, especially in high-resolution formats. Both cameras offer dual card slots, supporting CFexpress Type B and UHS-II SD cards, ensuring ample storage for high-bitrate video, but the R5C’s endurance in continuous shooting gives it an edge in practical usability.
OS and User Interface
Here lays the biggest difference and also the most standout feature of the R5C. While the R5 Mark II uses the normal operating system from the photography centric cameras, the R5C uses the Cinema OS known from the C70, C300 and C500. This gives the camera so many features and software tools which are hard to overlook.
The R5 II brought some needed features over to the photo OS, including waveform monitors and histograms. These tools are essential for ensuring precise exposure, especially in challenging lighting conditions. However, the R5 Mark II introduces a false color feature—a valuable addition for filmmakers who need a quick and intuitive way to assess exposure across different parts of the image.
User interface and ergonomics also play a crucial role in the shooting experience. The R5C, designed with video professionals in mind, offers a more feature rich interface for video shooters, making it more versatile and easier to adjust parameters on the fly. I can’t list all of the features here, but some I use regularly are the more advanced framing guides, anamorphic support, shutter angle and exposure tools. The R5 Mark II, while versatile, retains a more hybrid interface, balancing between photo and video functions, which might be quicker and easier coming from a photography background.
As we delve deeper into the specifics of these two cameras, it’s clear that the choice isn’t just about technical specifications. It’s also about how these features align with your workflow and creative needs. In the next chapter, we’ll explore real-world use cases, offering insights into which camera might be better suited for various types of projects. Whether you’re a narrative filmmaker, a documentarian, or a commercial videographer, understanding these nuances will help you make an informed decision.
Real-World Use Cases: Which Camera Suits Your Projects Best?
The choice between the Canon R5C and R5 Mark II goes beyond just specs and features; it depends significantly on the nature of your projects and shooting style. In this chapter, we’ll explore different real-world scenarios and how each camera’s strengths and weaknesses might influence your decision.
Professional and Slower Work: Narrative Filmmaking, Corporate, and Interviews
For narrative filmmakers and those involved in corporate and interview work, the Canon R5C’s ability to record continuously without overheating and its robust raw recording capabilities make it a standout choice. With the ability dial in more settings, the R5C can be better integrated in a more professional setting with other cinema cameras. This camera excels in controlled environments where the emphasis is on preplanned scenes and bigger camera rigs.
However, the R5 Mark II offers advantages with its improved dynamic range and advanced autofocus, making it suitable for settings that require both high-quality video and reliable performance. Its slightly more compact design and comprehensive video features make it versatile for a range of professional applications, including corporate videos and detailed interviews, where its user-friendly interface can streamline the shooting process.
Fast-Paced Projects: Social Media, Documentaries, and Hybrid Shooters
For those focused on fast-paced content creation, such as social media, vlogging, and documentaries, the R5 Mark II is often the better choice. Its superior autofocus, image stabilization, and versatility between photo and video modes cater well to hybrid shooters who switch frequently between capturing stills and video. This capability is particularly useful in dynamic environments where adaptability is key.
The Canon R5C, while powerful, might be more than necessary for quick-turnaround content. This camera is ideal for creators who occasionally undertake more demanding video projects but primarily focus on streamlined, high-quality production. Offering no recording limits and timecode sync can be invaluable for longer documentary shoots or events with multiple cameras and where continuous recording is essential.
Both the Canon R5C and R5 Mark II cater to specific needs within the video production community. The R5C is ideal for projects requiring extensive video capabilities and continuous recording, while the R5 Mark II is more versatile, especially for hybrid shooters and fast-paced environments. In the next chapter, we’ll conclude our comparison with recommendations based on different filmmaking needs and budgets. Stay tuned to find out which camera might be the best fit for you.
Conclusion and Recommendations: Choosing the Right Camera for Your Needs
As we’ve explored, the Canon R5C and R5 Mark II each bring unique strengths to the table, tailored to different types of video work and creative needs. Deciding between these two cameras ultimately hinges on your specific use case, budget, and the kinds of projects you typically undertake. Let’s summarize the key takeaways and offer some final recommendations.
When to Choose the Canon R5C
The Canon R5C is the go-to choice for professionals who prioritize extensive video features, raw recording capabilities, and the ability to shoot continuously without overheating. This camera is particularly well-suited for:
- Hybrid Shooters: If you switch between photo and video, but shoot more demanding video projects, the R5C dual functionality, offers a seamless experience.
- Narrative Filmmaking: The R5C’s raw recording options and high dynamic range make it ideal for projects that require detailed post-production work and creative grading.
- Corporate and Interview Work: The built-in cooling system ensures reliable performance during long shooting sessions, crucial for capturing detailed interviews or extended corporate presentations.
- Documentary Filmmaking: With its ability to record without time limits, the R5C is perfect for capturing long-form content in a single take, which is essential for documentaries and live events.
The R5C’s strengths lie in its robustness and professional-grade features, making it a valuable investment for those who often find themselves pushing the limits of normal mirrorless cameras.
When to Choose the Canon R5 Mark II
The Canon R5 Mark II, with its versatility and cutting-edge technology, caters well to a broader range of video and photography needs. This camera is best suited for:
- Hybrid Shooters: If you frequently switch between photo and video, the R5 Mark II’s outstanding video functionality, advanced autofocus, and improved image stabilization offers a great experience.
- Social Media and Vlogging: For content creators focused on fast-paced production and high-quality output, the R5 Mark II provides a balanced mix of performance and convenience.
- Event Videography: The R5 Mark II’s capabilities in autofocus and stabilization make it a strong contender for capturing dynamic, fast-moving subjects, such as in weddings or live events.
With its blend of high resolution, dynamic range, and versatile video features, the R5 Mark II is an excellent choice for those who need a flexible tool that can handle a wide variety of tasks.
Final Thoughts
Both the Canon R5C and R5 Mark II are exceptional cameras, each with its own set of advantages. Your choice should align with your specific needs, whether you require the uninterrupted recording and professional features of the R5C or the versatility and cutting-edge technology of the R5 Mark II.
For most video-centric professionals, the R5C offers unparalleled control and reliability, especially for complex projects. In contrast, the R5 Mark II shines in environments that demand adaptability and a combination of high-quality photo and video capabilities.
Ultimately, the decision comes down to evaluating which features are most critical for your work and how each camera fits into your workflow and creative vision. Both cameras represent the pinnacle of Canon’s current technology, ensuring that whichever you choose, you’ll be well-equipped to produce stunning, professional-quality content.