FILMMAKING

The Pursuit of Visual Fidelity

Pushing the boundaries of resolution. Native 8K HDR content designed for the ultimate viewing experience.

Uncompromising Quality for High-End Panels.

I am driven by the technical ceiling of modern cinematography. My focus is exclusively on creating 8K HDR content that captures the world in its most authentic form. No compromises. Just high-resolution visuals that speak for themselves. If you value the intersection of technology and art, join my journey.

8K Native Content

Capturing the Landscapes

Forest

Taking the ‘new to me’ C70 for a stroll to see how the DGO sensor handles forest light

Frames of Nature

A simple nature and wildlife test to see how the RED Monstro works with the Sigma 150-600mm

Macro Flowers

Taking the ‘new to me’ C70 for a stroll to see how the DGO sensor handles forest light

RED Epic-W Test

Playing around with the RED Helium to test the 8K HDR workflow in a local wildlife park.

Black and white image of the side of a red dsmc2 monstro

Buying a RED DSMC2 in 2026

Used prices on the RED DSMC2 system have dropped to a point where a brain now costs roughly the same as a new Sony FX3 or Canon C400. For a lot of filmmakers, that’s a hard thing to scroll past.

How to Install Hermes Agent on a Mac Studio with a Local AI Model

Running an AI agent on cloud APIs gets expensive fast. And once you’ve hit token limits or watched your monthly bill climb, the appeal of a fully local setup becomes obvious. I’ve been running Hermes on my M1 Max Mac

Flatlay of a Canon R5 and 100mm Macro lens

Why Less Gear is More

At some point on a shoot, I looked in my backpack and realised I hadn’t touched about 60% of what I’d packed. Not because I didn’t need it. Just because I’d packed for every possible scenario and then shot the

Stop Switching Camera Systems

Thinking about switching from Canon to Sony? Here’s why changing camera systems rarely improves your work and when it actually makes sense to switch.